12 Hours of Day #5

Sharon from Sunshine and Celandines messaged me on Friday informing me that this Saturday was another Photo an Hour. Though I had nothing planned, I thought it would be good for you to see into an ordinary day of mine. So here goes! 🙂

Photo and Hour – 22nd April 2017

8am to 10am:

Most of my Saturday’s start at 8am. Today was no different. I crawled out of bed sleepy eyed and had breakfast with Artie sitting at the bottom of the bed, with wonderful spring sunshine streaming through the bedroom window.

After breakfast I got dressed and put my ‘face’ on for the day ahead.

10am to 11am:

Saturday is shopping day, so David, mum and I headed towards Asda, or in Liverpool it’s ‘the’ Asda! :p The alarm for the hour sounded when we were heading into the frozen section of the supermarket, so we turned and smiled for the camera! Cheese!!

10 to 11

11am to 1pm:

Since the sun was shining, (though it was cold), David and I decided to take Riley to another local park, Sefton Park. We walked around the boating lake and played fetch on a field full of daisies and dandelions. 🙂

1pm to 2pm:

We arrived home for lunch at 1pm. I sat down with a Tassimo Costa coffee, the last of the hot cross buns and the final chapters of Anthony Doerr’s All the Light We Cannot See.

2pm to 3pm:

While I took to doing some housework, David started preparing the ingredients for his curry base. He’s cooking Sunday’s dinner, so I left him to it! 😀

3pm to 5pm:

While dinner cooked I pottered about the yarden. I enjoyed listening to the buzz of two bees visiting the lithodora and red campion. Both were hairy-footed flower bee’sthe cream one is a male and the black is a female.

5pm to 7pm:

Saturday’s dinner was a Quorn Sausage and Lentil Cassoulet. I adapted the recipe from Donal Skehan. I used red lentils instead of puy lentils, perhaps I should have used green? Halfway through the meal I gasped, ‘I’ve forgotten to take a photo.’ So I apologise for the half eaten picture of the meal.

6pm’s photo comes courtesy of David. I was upstairs doing something or other. When I came down, David said, ‘there’s a new picture taken for the hour.’ I scrolled through the gallery and there was a picture of Artie, David had taken. Though Artie doesn’t look that enamoured :p

7pm to 8pm:

My last photo of the day. With the sun setting, I pour myself a glass of pinot, David switches his PS4 on. An evening of Classic FM and reading is ahead.

7 to 8

Evening’s entertainment

Thanks to Janey and Louisa for setting up the challenge.

How did you spend today’s photo an hour?

Thanks for reading,

Christine x

A Year in Photos – 2016

Sharon from the wonderful Sunshine and Celandines suggested the topic for today’s post. I already do a yearly video compilation (watch out for that in the new year), but I thought I would post 12 pictures (or video) that give an impression of the year 2016!

So here goes!

January: 

The year began with a little trip to North Wales. On a cold, drizzly day David and I visited Rhosydd Slate Quarry at Cwmorthin. The weather made the scenery even more atmospheric! Who knows how many ghosts wander the rugged, unforgiving slate scattered landscape?

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Rhosydd Slate Quarry, Cwmorthin

February:

On another of David’s days off work, we visited the Lake District and took a leisurely stroll along Derwentwater. Little did we know, we would visit the shores of Derwentwater several times in 2016! I had discovered a new hobby!

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Derwentwater

March:

With spring just around the corner, March was all about the yarden! I busied myself with planting free packets of seeds that I’d requested from Grow Wild, a Kew Gardens initiative!

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April:

The much anticipated Hans Zimmer concert in Birmingham came and went in a blink of an eye! A good time was had by all that night! Hans himself introduced film classics such as Pirates of the Caribbean, Inception and The Dark Knight trilogy.

May:

In May, David and I returned to the shores of Derwentwater. This time I bravely stripped to my swim suit and slipped over rocky stones to embark on my first ever wild swim! It would be the beginning of many swims undertaken in 2016 in scenery that is nothing but inspiring!

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Facing Blencathra

June:

For the second year running I took part in The Wildlife Trusts, 30 Days Wild. This year I packed even more wild into June. We built a pond, harvested our first crop of maris bard potatoes, grew borage for bees, and I even went without technology for a day!

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Maris Bard Potatoes

July:

In July, David and I took a day trip to Sheffield to see their herd of colourful elephants.

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August:

The year wasn’t all fun days out and wild swimming! There was lots of hard work to be done on the house. With detritus clogging up the space under the hallway and sagging/rotten beams found under the dinning room, the long summer days were filled with the sawing of wood and hours of reconstruction.

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Dining room floor

September:

At Browns Liverpool, I partook in my first, but very rich afternoon tea. The red velvet cake was delicious but the whole afternoon was a sugar overload!

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Afternoon Tea, Browns, Liverpool

October:

Autumn became centre stage in all its colourful glory as I participated in Wild October! I watched a garden spider spin its web, relived childhood by kicking fallen leaves, turned 40 and holidayed in the Lake District.

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November:

The iconic Weeping Window from the Tower of London poppies came to Caernarfon Castle, just in time for Armistice. The poppies are touring the UK, thanks to 14-18 Now, and are a fitting memorial to the fallen.

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The Weeping Window at Caernarfon Castle

December:

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Christmas Tree

December is all about Christmas and spending time with family. My little 3ft Christmas tree, adorned with birds and polar bears always goes up on the 1st. Artie once again had an Advent calendar to count the days to Christmas, and this year I managed to get a Christmas wreath for the front door!

So there you have it, my 2016 in pictures!

For some this year has been a harsh year, but for David and I there have been more happy times than sad. Indeed we have made many wonderful memories out of new experiences this year.

I wish you all good health and happiness for 2017! Let’s make it a year to remember!

Thanks for reading,

Christine xx

2016 – A Year in Food.

With New Year drawing closer, it got me thinking what posts I should do as a round up of the year! One idea was ‘a year in food,’ to post 12 pictures that give a flavour of 2016! I have followed many recipes this year and prepared hundreds of dishes, (some successful, others not!), so I thought I would do a little summary.

I hope you enjoy!

January:

 At the start of the New Year I was determined to make meals that were filling, yet healthy and with produce that help reduce cholesterol. So one of the meals I made was a Red Lentil, Chickpea and Chilli soup.

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Red Lentil, Chickpea and Chilli Soup

Lentils are a good source of fiber, help with stabilising blood sugars and promote heart health.

You can find the original recipe here.

February:

The 28th of February was Global Scouse Day! Scouse is the signature dish of the city of Liverpool, usually made with meat. I prefer this vegetarian version with butter-beans called Blind Scouse.

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Blind Scouse

You can find the original recipe here:

March:

One recipe I have returned to time and time again this year has been this One Pan Mexican Quinoa. It is healthy, filling and can be used with either quinoa or brown rice. It’s a very versatile dish. I see me making this for many years to come.

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One Pan Mexican Quinoa

You can find the original recipe here: 

April:

This Pearl Barley Risotto with a crumbling of goats cheese would have been nice if it wasn’t for the very off putting buttery taste. I may attempt the recipe again, but leave out the butter!

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Pearl Barley Risotto

You can find the original recipe here:

May:

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Vegetable and Quorn Sausage Frittata

I am not a big lover of eggs, but this 4-6 egg Vegetable and Quorn Sausage Frittata was surprisingly filling and enjoyable.

June:

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Sea Turtle loaves

As I participated in The Wildlife Trust’s 30 Days Wild. I decided to get creative in the kitchen and made some mini loaves in the shape of Sea Turtles.

You can find the original recipe here:

July:

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Bramley Apple Pie

One of David’s friends kindly gifted us a load of Bramley apples. For weeks after I was baking and eating apple pies! They were yummy though!

The recipe I used was one by the Hairy Bikers.

August:

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Vegetable Tagine

I got the recipe for this Vegetable Tagine from a free Asda booklet. It makes a tasty dish with lots of different textures. For David, I complete it by topping it with a chicken breast, while for myself, I chop up a Quorn chicken style fillet for added protein.

September: 

A meal we don’t make too often and we should as it’s yummy, are these Spicy Mexican Bean Burgers. The recipe can be changed for any type of beans found in your store-cupboard. I serve with mounds of fresh salad.

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Spicy Mexican Bean Burger

October: 

I am not a big fan of pastry, however I decided to try this Indian Samosa Casserole. I like Indian spices so that was a plus. It served 3 to 4 people generously. I will definitely be trying the recipe again.

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Indian Samosa Caserole

You can find the original recipe here:

November:

Another dish I have made quite a few times this year is this Quinoa and Bean Soup. The original recipe called for white beans but I just used whatever beans I found in the store-cupboard! I have cooked a lot with quinoa this year due to its many health benefits.

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Quinoa and Bean Soup

December:

For the final meal, I thought I would choose the wonderful Curried Red Lentils. I have been cooking this easy peasy dish since the summer. I even make a big batch of them and take them to work. They are scrumptious, keep me fueled all afternoon and are healthy! I even throw in a teaspoon of turmeric just for its cancer busting properties!

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Curried Red Lentils

You can find the original recipe here:

So there you have it, a flavour of my 2016!

Let me know if you have tried any of the recipes featured? Or my post has inspired you to try some of them!

Thanks for reading,

Christine x

Hans Zimmer – Live on Tour

03_HANS-ZIMMER_live-on-tour-2016_Foto_Steve-GilletI first realised the music of Hans Zimmer in The Lion King (1994), the soundtrack earned him his Oscar! I didn’t care much for the songs of Elton John but the orchestrated pieces were breathtaking. He managed to convey all the emotions in the film; love, terror, heartbreak and joy. Listening to Stampede, if you close your eyes you can imagine the buffaloes bearing down on Simba.

Over the years, I have accumulated many of his soundtracks. Fan based videos on YouTube are a great source to go to, as well as Wikipedia and Amazon. I could list all of his soundtracks, but I won’t. You can read more here.

Biography search results suggest that during his early career, as well as writing themes for BBC TV shows, (Going for Gold being one of them), he produced and featured briefly in the video of The Buggles’s number one hit single, Video Killed the Radio Star (1979) which was a theme from my early childhood. So even though I was not aware of Hans Zimmer as a composer, his music contributed to the soundtrack of my 80’s.

In 2001 he received great acclaim for his soundtrack to Gladiator. I was a little slow on the uptake but since then most of my free time has been filled with the music of Hans Zimmer. For me, he seems to be the go to composer whether you want to be energised as in the rollicking tracks of Inception or to have a good cry, the music from The Dark Knight Rises seems to hit a particular cord with me.

No other living composers music has had such a profound effect on me as does Hans Zimmer’s. So imagine my excitement when his Live on Tour was advertised last year! For many years, it has been a dream of mine to see the music of Hans Zimmer being performed by a live orchestra, but for the man himself to be performing on stage also is something I never comprehended.

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In London two years ago Hans Zimmer did ‘trial’ arena shows because he didn’t believe ‘anybody would actually show up’. I was tempted to go but the cost, not just of the tickets but of travelling and accommodation put me off. So last year on the day tickets were released I eagerly snapped up a couple for the Birmingham date. It may have cost a small fortune but to have a dream come true, it was worth it! A month later I was reeling as they released a new date in Manchester, but that is by the by. Birmingham it would be!

April 12th 2016: Being my nosy, inquisitive self I already knew what to expect come the day of the concert. I was looking forward to One Day from Pirates of the Caribbean and The Dark Knight medley.

The Barclaycard Arena was relatively easy to get to by car but due to certain roads being closed in major roadworks we left with plenty of time. Inside we were subjected to bags being searched and the boys being frisked! Once finally past security, I bought my programme which was £10, in London it had been £15! Then went in search for our uncomfy seats.

We sat in eager suspense for 40 minutes, then the lights in the arena dimmed and an excited hush murmured from the crowd. Hans Zimmer, his guests and a 70 piece orchestra took to the stage just after 8pm, even though there were still a lot of empty spaces in the audience. People were still being shown to their seats while the choir sang 160BPM from Angels and Demons, which irked me somewhat. I took some pictures but they weren’t very good. I wish I had taken my camcorder but didn’t know whether photography was allowed.

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What I like about Hans Zimmer is that he collaborates with (and mentors) people from diverse musical backgrounds and this concert was no different. It felt more like an ensemble production rather than a one man show.

The first set went too fast! I almost blinked and missed it! It was wonderful to hear so many favourite themes. We were entertained by Gladiator, Czarina Russell sung it so beautifully. The Lion King performed by Lebo M made everyone teary and Tina Guo flicked her hair as much as she did the bow across her cello for the Pirates of the Caribbean medley. The sound was impeccable, not ear tingling as in some concerts, and the lighting was inventful, in the second half of the show it became more akin to a rock concert!

There was a 20 minute interval. We went to stretch our legs before the darker second set began, which was filled with superheroes, inhuman guitar riffs and drums that reverberated through your body.

Even though at times there was a lot of bombast, the quieter moments where Hans Zimmer talked anecdotally about his career were more intimate, even in a big arena space.

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The Dark Knight medley did not disappoint. I sat through it tapping my feet and grinning, much like the Joker. I felt bereft when Interstellar pipped up. I knew that the show was drawing to a close. As the final triumphant bars of Stay vibrated around the arena, Hans Zimmer stood conducting from the front. The note faded and he took a bow as everyone in the audience stood to their feet. Some of us stayed standing knowing that he would come back onto the stage for an encore. I was surprised that quite a few people left before he came back to perform the medley from Inception. ‘Fools,’ I thought as Mombasa lit up the stage like a rave. The night ended with Time. If there was a piece of music that was written to describe the human condition, then Time would be it! Heart-achingly painful and yet so brief. The night ended on the wave of Hans Zimmer’s hand and the audience standing to its feet once again.

There are moments in life when I wish I could push the rewind button and relive the experience again and again. This concert was exactly like that, if I had a fairy godmother I would suggest Manchester! :p However I will just have to make do with watching the videos I took and others like them on YouTube. I hope you enjoy the concert compilation I have mixed below and any feedback is appreciated.

In the future, I look forward to Hans Zimmer’s next installment for the Ron Howard film, Dan Brown’s Inferno. I wonder if it will be just as good as his Da Vinci Code soundtrack?

I will end the post with Hans Zimmer’s own words taken from the concert programme. I found them very profound.

‘Concerts are in real time…I get to be…part of you; and you be a part of me. Only in this very moment does this exist. We’re lucky, in these tumultuous and violent times, to have art and music to lean upon and unite us. At this very moment it is at its most essential. It breaks through the boundaries…and just allows us to be people united in common enjoyment and pleasure for a few precious hours. My hope is that tonight my music speaks to you personally, wherever you are in your unique story.’

© 2016 Christine Lucas.

Gustav Mahler’s ‘Resurrection’ Symphony!

I’m not an expert in classical music. I don’t know much terminology nor can I decipher notation. I listen just because it makes me feel. Some pieces make me feel serene: Allegri’s Miserere, some make me want to dance, Arturo Márquez’s Danzón No. 2, and others just simply take me to a place both spiritually and emotionally that is unparalleled by any other medium! For me, Gustav Mahler’s music does that above any other composer. I may be a bit biased as Mahler was the composer who made me turn away from my ‘pop’ loving years of the 90’s to re-acquaint myself with classical music, but his symphonies especially his later ones from the 5th onwards often have me quaking with a mixture of heightened emotions!

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Gustav Mahler

There is joy to be heard in Mahler’s work for example his 1st Symphony bristles with youthful energy. Love is to be found in his 3rd Symphony, not only human love but of nature too. His 9th Symphony is filled with heavy pathos and heartfelt resignation but it is not done in a depressive way, it’s more of an enlightened way, which enables deep soul searching. And then there is the fear and tragedy that punctuates his 6th Symphony and resonates so powerfully in his 2nd!

It is Mahler’s 2nd Symphony, entitled the Resurrection, that I now turn my attention to.

The Royal Liverpool Philharmonic Orchestra performed the Resurrection twice this April, on Wednesday 29th and again on Thursday 30th. I booked tickets for the Wednesday performance. It was almost a full house! We were in the ‘cheap seats’ up in the gallery but we had a perfect view of the brightly illuminated orchestra.

Mahler's 2nd at Liverpool Philharmonic Hall

Mahler’s 2nd at Liverpool Philharmonic Hall

I read the programme notes before the concert and Stephen Johnson mentioned that in the early performances of Mahler’s first three symphonies, Mahler gave detailed accounts of each movement and what ’emotions they aroused.’ However he was not entirely satisfied with having to tell the audience what to feel, what he meant by his music. Mahler said, ‘In my conception of the work I was in no way concerned with the detailed setting forth of an event, but much rather of  a feeling.’ This remark resonated with me and on the night of the concert the feelings became manifest sending goose flesh and shivers all over my body. In fact the performance of the Liverpool Philharmonic conducted by Sir Andrew Davis reverberated deep within my body and I felt the effects long after I had left the hall and stood shivering outside awaiting my bus! Even David who is not a Mahler fan said he felt ‘shivers’.

Sir Andrew Davis is not a conductor I have seen perform before. I know of his reputation but have not seen him conduct live. He is a conductor of much energy, jumping and jigging on the podium with his long tail coat flapping. He did not carry a baton but commanded the orchestra with the shape of his expressive hands. You could see that he really had fun with the orchestra. His years of experience showed. I was surprised to read that Davis was 71 years old he really moved about with the energy of a younger man, I couldn’t keep my eyes off him!

Sir Andrew Davis

Sir Andrew Davis

The sound from the orchestra was breathtaking. In the 2nd Symphony there are moments of light hearted fun (the Ländler) and solemn solemnity as found in the Urlicht performed by the Mezzo Soprano Catherine Wyn-Rogers. I could find no fault in her performance, nor that of the choir, however Catherine Jones of the Liverpool Echo said the ‘German text wasn’t as crisp as it could have been.’ The brass for me still played a bit ropey at times (though they got the loudest cheer come applause) and some passages sounded a bit muted in the hall. In her review, Catherine Jones said ‘even the controversial new acoustic, which tends to over-amplify the brass, acted in the work’s favour by adding depth rather than overpowering the whole.’

Alfred Hickling reporting for the Guardian remarked at the ‘frenzied’ attack Davis gave Mahler’s second. I found that the pace was ideal, though brisk it sounded better than some languishing performances of the symphony. Hickling commented mainly on Davis’s appointment as Conductor Emeritus. On the night he was presented with the award and made a speech saying he was ‘deeply touched and honoured’ by the gift and relished ‘the prospect of making music regularly,’ in Liverpool, a ‘wonderfully vibrant city, of which the Orchestra is the finest jewel.’ I’d have to agree. While Davis was making this speech and the orchestra and chorus performed Mendelssohn’s Lauda Sion Op.7I felt overwhelming pride and respect for the Liverpool Philharmonic, and with this being their 175th year anniversary there is much to celebrate!

My most favourite part of the Resurrection Symphony (apart from Urlicht) is about 10 minutes into the finale. It is the orchestral version of the hymn like chorale that will finish the symphony. When I listen to this part that steadily builds up into a triumphant crash of percussion interlaced with strings and trumpeting brass I always imagine the golden rays of a rising sun stretching its light over a slumbering countryside. Sheep rear their heads from a night of rest and a horse drawn carriage trundles along a narrow country lane. Under Davis’s command the Liverpool Philharmonic played this passage to awe-inspiring heights, some would call it apotheosis, (no recordings I’ve heard come close to it!) The sound filled the entire auditorium! My heart swelled with emotion and I have never heard the orchestra sound so loud, so passionate, so emotional, I indeed had a tear in my eye!

The only jip I had was with the audience, of hissing coke bottles being opened, mobile phones tinkling and the guy behind me humming along to the choir! But none could detract from the performance which culminated in the most rousing finale I’d ever heard!

What would Mahler have thought? If he had heard the mobile phone he would have undoubtedly stopped the performance, like he did when someone had a coughing fit at one of his performances.

Though undoubtedly what Mahler would have thought is of little consequence. Personally, I came away from the hall feeling satisfied. A young couple in front of us talked about how religious the symphony was. I have a feeling Mahler’s Resurrection is more emotional than religious, whether it is a ‘spiritual religious’ or a ‘spiritual emotional’ is another discussion. What is for certain is that there is no ‘judgement’ in Mahler’s 2nd Symphony. Stephen Johnson in his programme notes says that, ‘the 2nd Symphony marks a huge progression from darkness and death through to light and affirmation of life and love.’ There ‘is no judgement…There is no punishment… an overwhelming love illuminates our being. We know and are.’ It can only be a good thing to be all knowing at the end of it all. The end of all things.

© Christine Lucas 2015.