Sunday Sevens #43

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Thanks to Natalie at Threads and bobbins for creating the series, Sunday Sevens. Here’s a quick update on my week.

Fashion:

This week the long awaited reflective dog jacket I ordered for Riley arrived. You have to admit it looks fantastic on him!

Romance:

This Wednesday was Valentine’s Day. David and I took a trip to the Liverpool Philharmonic Hall to hear the RLPO perform passionate pieces of music. The auditorium was full! My favourite pieces in the programme were Prokofiev’s retelling of Romeo and Juliet and Rachmaninov’s Piano Concerto no. 2 performed by Chinese pianist Zhang Zuo. It was a lovely night!

Designer Art:

For the past five years David has wanted to purchase a table lamp created by Hebden Bridge based artist, Hannah Nunn. We just couldn’t justify the cost, however this week I noticed there was a seconds sale being held for only a few days. The lamp David had had his eye on for so long was half price! We decided to order it. A few days later we took delivery of the lamp. It doesn’t look much unlit, but once the bulb is switched on the etched design comes to life. It is a fine addition to our bird inspired living room. What do you think?

Book I am reading:

I am currently reading Mark Haddon’s collection of short stories, The Pier Falls. So far I have read two of the short stories and feel rather unmoved. I loved The Curious Incident of the Dog in the Night-time and his play Polar Bears. However this collection of stories is falling flat. His writing makes me think Tom Hanks‘ collection is far superior. Have you read this book? What were your thoughts?

maris peerGardening: 

This weekend I purchased some potato chits to plant come spring. I bought maris peer potatoes. They are new potatoes to me, but I have read that they are good in salads, much like the maris bard. Even though we had blight on our potato harvest last year I will continue to try and grow ‘our own’. I will document how we go with these second earlies.

 

#walk1000miles:

This week I have managed a good 39 miles, bringing my overall total so far to 235 miles. It hasn’t been a bad week of walking. I’ve enjoyed a few good walks to work with the sun shining and the scent of spring on the air. Monday I thought, would have been a perfect day to go wild swimming. So I walked to work, smelling the air, hearing the birds singing and dreaming of slipping my cool body into an even colder body of water. It made my spirit soar! Spring/Summer can’t come quick enough!

David and I have also embarked on many evening walks with Riley as well as taking him on a good three mile walk today around Otterspool. We have all enjoyed the exercise, Riley and myself most of all. 🙂

So, that was my week, how was yours?

Thanks for reading,

Christine x

 

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Gustav Mahler’s ‘Resurrection’ Symphony!

I’m not an expert in classical music. I don’t know much terminology nor can I decipher notation. I listen just because it makes me feel. Some pieces make me feel serene: Allegri’s Miserere, some make me want to dance, Arturo Márquez’s Danzón No. 2, and others just simply take me to a place both spiritually and emotionally that is unparalleled by any other medium! For me, Gustav Mahler’s music does that above any other composer. I may be a bit biased as Mahler was the composer who made me turn away from my ‘pop’ loving years of the 90’s to re-acquaint myself with classical music, but his symphonies especially his later ones from the 5th onwards often have me quaking with a mixture of heightened emotions!

Gustav-Mahler

Gustav Mahler

There is joy to be heard in Mahler’s work for example his 1st Symphony bristles with youthful energy. Love is to be found in his 3rd Symphony, not only human love but of nature too. His 9th Symphony is filled with heavy pathos and heartfelt resignation but it is not done in a depressive way, it’s more of an enlightened way, which enables deep soul searching. And then there is the fear and tragedy that punctuates his 6th Symphony and resonates so powerfully in his 2nd!

It is Mahler’s 2nd Symphony, entitled the Resurrection, that I now turn my attention to.

The Royal Liverpool Philharmonic Orchestra performed the Resurrection twice this April, on Wednesday 29th and again on Thursday 30th. I booked tickets for the Wednesday performance. It was almost a full house! We were in the ‘cheap seats’ up in the gallery but we had a perfect view of the brightly illuminated orchestra.

Mahler's 2nd at Liverpool Philharmonic Hall

Mahler’s 2nd at Liverpool Philharmonic Hall

I read the programme notes before the concert and Stephen Johnson mentioned that in the early performances of Mahler’s first three symphonies, Mahler gave detailed accounts of each movement and what ’emotions they aroused.’ However he was not entirely satisfied with having to tell the audience what to feel, what he meant by his music. Mahler said, ‘In my conception of the work I was in no way concerned with the detailed setting forth of an event, but much rather of  a feeling.’ This remark resonated with me and on the night of the concert the feelings became manifest sending goose flesh and shivers all over my body. In fact the performance of the Liverpool Philharmonic conducted by Sir Andrew Davis reverberated deep within my body and I felt the effects long after I had left the hall and stood shivering outside awaiting my bus! Even David who is not a Mahler fan said he felt ‘shivers’.

Sir Andrew Davis is not a conductor I have seen perform before. I know of his reputation but have not seen him conduct live. He is a conductor of much energy, jumping and jigging on the podium with his long tail coat flapping. He did not carry a baton but commanded the orchestra with the shape of his expressive hands. You could see that he really had fun with the orchestra. His years of experience showed. I was surprised to read that Davis was 71 years old he really moved about with the energy of a younger man, I couldn’t keep my eyes off him!

Sir Andrew Davis

Sir Andrew Davis

The sound from the orchestra was breathtaking. In the 2nd Symphony there are moments of light hearted fun (the Ländler) and solemn solemnity as found in the Urlicht performed by the Mezzo Soprano Catherine Wyn-Rogers. I could find no fault in her performance, nor that of the choir, however Catherine Jones of the Liverpool Echo said the ‘German text wasn’t as crisp as it could have been.’ The brass for me still played a bit ropey at times (though they got the loudest cheer come applause) and some passages sounded a bit muted in the hall. In her review, Catherine Jones said ‘even the controversial new acoustic, which tends to over-amplify the brass, acted in the work’s favour by adding depth rather than overpowering the whole.’

Alfred Hickling reporting for the Guardian remarked at the ‘frenzied’ attack Davis gave Mahler’s second. I found that the pace was ideal, though brisk it sounded better than some languishing performances of the symphony. Hickling commented mainly on Davis’s appointment as Conductor Emeritus. On the night he was presented with the award and made a speech saying he was ‘deeply touched and honoured’ by the gift and relished ‘the prospect of making music regularly,’ in Liverpool, a ‘wonderfully vibrant city, of which the Orchestra is the finest jewel.’ I’d have to agree. While Davis was making this speech and the orchestra and chorus performed Mendelssohn’s Lauda Sion Op.7I felt overwhelming pride and respect for the Liverpool Philharmonic, and with this being their 175th year anniversary there is much to celebrate!

My most favourite part of the Resurrection Symphony (apart from Urlicht) is about 10 minutes into the finale. It is the orchestral version of the hymn like chorale that will finish the symphony. When I listen to this part that steadily builds up into a triumphant crash of percussion interlaced with strings and trumpeting brass I always imagine the golden rays of a rising sun stretching its light over a slumbering countryside. Sheep rear their heads from a night of rest and a horse drawn carriage trundles along a narrow country lane. Under Davis’s command the Liverpool Philharmonic played this passage to awe-inspiring heights, some would call it apotheosis, (no recordings I’ve heard come close to it!) The sound filled the entire auditorium! My heart swelled with emotion and I have never heard the orchestra sound so loud, so passionate, so emotional, I indeed had a tear in my eye!

The only jip I had was with the audience, of hissing coke bottles being opened, mobile phones tinkling and the guy behind me humming along to the choir! But none could detract from the performance which culminated in the most rousing finale I’d ever heard!

What would Mahler have thought? If he had heard the mobile phone he would have undoubtedly stopped the performance, like he did when someone had a coughing fit at one of his performances.

Though undoubtedly what Mahler would have thought is of little consequence. Personally, I came away from the hall feeling satisfied. A young couple in front of us talked about how religious the symphony was. I have a feeling Mahler’s Resurrection is more emotional than religious, whether it is a ‘spiritual religious’ or a ‘spiritual emotional’ is another discussion. What is for certain is that there is no ‘judgement’ in Mahler’s 2nd Symphony. Stephen Johnson in his programme notes says that, ‘the 2nd Symphony marks a huge progression from darkness and death through to light and affirmation of life and love.’ There ‘is no judgement…There is no punishment… an overwhelming love illuminates our being. We know and are.’ It can only be a good thing to be all knowing at the end of it all. The end of all things.

© Christine Lucas 2015.

I Did Not Cry…

Not a tear fell while I listened to the Royal Liverpool Philharmonic under the guidance of Vasily Petrenko as they performed for the first time in the Philharmonic’s history the entire 10th Symphony by Gustav Mahler. There were moments when I was overcome with emotion but I managed to hold it together and not embarrass myself or David.

Vasily Petrenko(1)

I was saddened to see that on both performances of Mahler’s 10th, the hall wasn’t full to capacity! I wonder what made the organisers put on two shows rather than one? I wish they had done the same for Mahler’s 8th last year, then I may not have been stuck at the back of the Anglican Cathedral and upsettingly witness someone in the audience keel over! However, as there were no heads in front of me, I had a great view of the orchestra and of Vasily in this special performance.

I listened to the broadcast of the first show on BBC Radio Three on Thursday and I, with a nice glass of Pinot Grigio succumbed to the wonderful orchestration of Mahler’s unfinished symphony, completed by Deryck Cooke. The Philharmonic’s command of the Adagio (1st movement) was simply breath-taking. I believe I had not heard it played with so much depth of emotion before. The sound was so clear even streaming through broadband!

And so for Saturday’s performance. David and I, wrapped up from the chilling wind that brought with it Spring snow the day before, made our way to the Philharmonic Hall. We gingerly watched for ice underfoot as we caught the 86 bus and was transported smoothly for our date with Mahler!

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I have been attending the Philharmonic in Liverpool for nearly 20 years now and have listened to Mahler being performed countless times. It was my first on hearing his 10th being played though. With excited butterflies in my tummy, the lights in the auditorium fell and the brilliant (almost too bright) spotlight lit up the orchestra as Vasily walked on stage with baton in hand. There was a collected intake of breath from the audience as the first bars of the Adagio were played. I love watching the sections of an orchestra as they come together and it’s only with Mahler symphonies that the percussion section seem to entertain most of all. David said he liked the soaring strings in the romantic Adagio the best. I noticed how Vasily would raise his hands to the heavens almost as if beseeching Mahler’s spirit to come amongst us as his music drifted into the ether. Norman Lebrecht in his blog post describes a conductor approaching a performance of Mahler’s 10th Symphony as ‘the maestro, for that hour-plus,’ has ‘to be Mahler.’ Therefore perhaps Vasily was indeed channelling the spirit of Mahler? During the two Scherzo’s Vasily seemed to take on the persona of a demented fiend, jerking about like a man possessed. He would raise his fist to the orchestra who in turn would challenge him in their playful audacity. As the drum of fate boomed around the auditorium the conductor seemed to shiver as if in fear. The only comic relief to be had was during the ländler where the orchestra played light-heartedly and Vasily shook his booty on the podium!

Then the soul tormenting Finale came. It’s a piece of music that usually renders me in tears. Thankfully this evening it wasn’t the case, though the screeching strings and then the soft sighing of the woodwind tugged at the heart. Catherine Jones of the Liverpool Echo in her review said there were some tonality issues, but none that could detract from the poignancy of the music being performed. Vasily seemed to have tightened up the brass section since the first performance and they played with unparalleled confidence. As the final note of Mahler’s 10th faded, Vasily paused while the rawness of the performance was absorbed by the audience. The young conductor fell back upon the rail of his podium as if overcome with emotion and sheer exhaustion of the piece. With baton lowered he invited the audience to show their appreciation, a few rose to their feet. Vasily came onto the podium twice more to accept praise where it was due. He also seemed subdued, placing his hand to his heart in gratitude. The applause was understated, perhaps due to the fact that Mahler’s 10th is a symphony largely forgotten or maybe the powerful emotions performed for over an hour subdued the audience? Either way they milled out of the hall silently, thoughtfully.

I really wish that the Royal Liverpool Philharmonic would release a recording of their rendition of Mahler’s 10th Symphony. I believe it was one of the best, if not the best I have heard it performed! Norman Lebrecht also mentioned in his blog that Vasily would be repeating his version of Mahler’s 10th ‘next year with the Philharmonia in London and the radio orchestra in Berlin,’ something to look forward to then.

St Valentine’s.

Last Friday I got confirmation that I had won a competition held by Escentual on Facebook. The prize was a 60ml bottle of 212 Sexy by Carolina Herrera for women and men. I was totally bowled over! All I said for the competition was that I was going to the Valentine’s evening concert at the Liverpool Philharmonic and afterwards celebrating with a glass of Bucks Fizz! I didn’t think I would get picked! 😀

So last night David and I went to the Philharmonic smelling gorgeous! The concert of Ravel’s Bolero, Romeo and Juliet by Tchaikovsky and Prokofiev was sublime! 🙂 I really can’t wait for Mahler’s 10th in March!

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Ohh exciting times ahead…

Today my tickets for Mahler’s 10th arrived! I am so excited about that… perhaps listening to it will be life changing?

 
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I was looking at my diary and David and I, though we don’t have a holiday booked, do have lots of things to look forward too at the local theatres in Liverpool the first half of 2013!

On the 14th February I am ‘dragging’ David to the Liverpool Philharmonic to hear their Valentine’s concert. Then we are back there on the 23rd of March for Mahler and then in June again to listen to Stravinsky’s Firebird!

In March I have booked to see The Phantom of the Opera at the Liverpool Empire and in May, I am going to the Echo Arena to see Walking with Dinosaurs which I saw in 2009! I look forward to that! I loved it the last time!

Ohhh! Now that’s what I call a weekend!

Phew! this weekend has been great! Well great to my standards, anyway! I don’t know what David thinks! 😮 There were no worries, or work on the ‘house’! 

Saturday, I dragged David to the Liverpool Philharmonic Hall to hear a 65th birthday concert in honour of Sir Andrew Lloyd Webber!

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It was sublime! I loved it! Scott Davies singing ‘Music of the Night,’ was wonderful! In the concert programme, my eyes alighted on a billing for the Liverpool Philharmonic performing Mahler’s ‘10th Symphony‘. I am featuring that symphony in my ‘romance’ novel and I am wondering should I ‘drag’ David to that? The finale of the symphony usually renders me in tears, it is that heart-breaking! Should I go and hear it? What do you think I should do?

On Sunday David and I have planned to go to a preview screening of ‘Hitchcock’ at Cheshire Oaks. I ‘won’ free tickets via Vue cinemas. Again, I think I will ‘drag’ David there! I hope the film will be good??

UPDATE: I have booked for Mahler! I can’t wait!! Pass the tissues! 🙂