Saturday, though not as epic a day as Good Friday, was in itself an eventful day.
After shopping, gardening and preparing dinner for the evening (more roasted carrot and garlic soup), David and I took the bus into town, to the Liverpool, Everyman Theatre. We went to see the matinee of their new production of Shakespeare’s A Midsummer Night’s Dream. And what a dream it was, though in places rather nightmarish. I say nightmarish in a good way, as the just under three hour production did not have me reaching for the razor blades. I mean nightmarish in the fact that the woodland scenes were less bucolic, more atmospheric. If you have ever walked in a shaded wood you will be familiar with the tense, tingling feeling of supernatural nervousness. In this Liverpool Everyman production, the faeries are featureless, clad in a black stockinged garb, looking rather menacing in fact. The mischievous Puck was like a ringmaster and it made you think that all the heightened drama between the love sick couples of Hermia/Lysander and Helena/Demetrius was all for Puck’s amusement.
The last play David and I saw at the Everyman was their opening show, Twelfth Night. That was filled with music and laughter and this production was no different. The stage design, though rather austere was effective, as was the use of lighting. The forest scenes were sparse with a mirrored wall giving the impression of a ‘360 degree audience,’ with scrunched up paper littering the floor resembling the mass of leaves and their sound as they were stepped upon.
The backdrop however is irrelevant as the performance of the cast members was foremost. On leaving the theatre the name on many a tongue was Dean (a young Brian Blessed) Nolan’s Bottom, (in one scene he left the audience red with embarrassment and young children giggling with glee), however the entire cast was strong, both seasoned and young actors played their parts well.
For the spectator the three hours filled with much magic and humour flew by. I have not seen another production of this play to compare but I say if you have a ticket to this play, then you will not leave the theatre disappointed.
The Guardian’s Review.
Christine Lucas 