A Year in Film: September 2020

September was another full-on month for movies, with a total of 22 films watched. We tried to have a mix of films we had seen before and ones we had not. Have you seen any of the below? If so, what were your thoughts? 

Peninsular ✩✩✩

A sequel to Train to Busan. A soldier and his team battle hordes of post-apocalyptic zombies in the wastelands of the Korean Peninsula.

Train to Busan is my favourite zombie movie. Though this sequel isn’t as good as the first film in the franchise, there’s enough zombie action to keep the viewer entertained. 

The Philadelphia Experiment ✩✩

In 1943, a top-secret experiment aboard a Navy destroyer backfires and two sailors are propelled to 1984.

The fashion and special effects are very 1980’s in this not so exciting sci-fi adventure. 

Mulan ✩✩✩✩

To save her ailing father from serving in the Imperial Army, a fearless young woman disguises herself as a man to battle northern invaders in China.

I’ve not seen the original Disney version of Mulan so can’t comment on the differences, but I really enjoyed this epic, live action production. 

Silver Streak ✩

While on a cross-country train ride, overworked book editor George Caldwell (Gene Wilder) begins an unexpected romance with an enigmatic woman. His vacation is interrupted, however, when he witnesses a murder for which he is then accused. 

I found this film tedious to say the least. David said it was good back in the day but it had not aged well. 

Gangs of New York ✩✩✩

Amsterdam sets out to avenge the death of his father who was killed in a gang fight at the hands of a crime lord, Bill ‘The Butcher’. Whilst doing so, he gets caught up in the Civil War.

This film would have gained more stars but for the fact that I thought it could have been much shorter. There were no holds barred when it came to the brutality of some scenes.  

Die Hard: with a Vengeance ✩✩✩

John McClane must enlist the help of Zeus Carver, a local shop owner, to stop Simon, a former colonel from East Germany, from detonating bombs across New York.

A typical Bruce Willis action movie, full of explosions and unbelievable action sequences. An enjoyable watch.  

Glory ✩✩✩✩

Robert Gould Shaw leads the U.S. Civil War’s first all-black volunteer company, fighting prejudices from both his own Union Army, and the Confederates.

My favourite Matthew Broderick film! The story of the first all-black regiment in the American Civil War has themes that are as relevant today as they were back in 1863. James Horner’s score is simply beautiful. 

Romy and Michele’s High School Reunion ✩✩

Romy and Michele are best friends who weren’t very popular in school. This fact suddenly occurs to them when they are invited for their high school reunion which they attend with fake identities.

Not the best comedy but its message of just being yourself is something everyone should embrace. 

La La Land ✩✩

Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love. But as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.

La La Land burst onto the scene in 2016 boasting awards and accolades galore, however on watching it for the first time I have to say I didn’t like it. If you like musicals then it’s a film for you. 

Conspiracy Theory ✩✩✩

Jerry Fletcher, a New York taxi driver who publishes conspiracy theories in a newsletter, suddenly falls in danger when one of his claims turn out to be true.

Mel Gibson and Julia Roberts star in this fast paced thriller, it was entertaining enough.

Frozen 2 – ✩✩

No matter how happy Elsa the Snow Queen is to be surrounded by the people of Arendelle, Elsa finds herself strangely unsettled. After hearing a mysterious voice call out to her, Elsa travels to the enchanted forests and dark seas beyond her kingdom — an adventure that soon turns into a journey of self-discovery.

After the astronomical success of Frozen in 2013, there was undoubtedly going to be a sequel. In truth the second film is much weaker and I’d say not as entertaining. 

The Terminal ✩✩✩✩

Viktor Navorski gets stranded at an airport when a war rages in his country. He is forced by the officials to stay at the airport until his original identity is confirmed.

When I first saw The Terminal in 2004 I didn’t warm to it very much, however on second viewing I appreciated the subtle nuances of Tom Hanks’ performance.  

The Haunting ✩✩

Dr Marrow enlists Theo, Luke and Nell for a study of sleep disorders at the Hill House. As soon as the terrifying truth about the mansion is revealed, everyone is found fighting for their lives.

A disappointing scary movie, it started off well but went down hill half way through. 

Catch Me If You Can ✩✩✩✩✩

Notorious con artist Frank Abagnale has duped people worth millions of dollars with his masterful art of deception. With his scams getting bolder, he is soon pursued by FBI agent Carl Hanratty.

Is this one of Spielberg’s finest films? I think so, and Tom Hanks and Leonardo diCaprio both churn out believable performances. 

The Longest Yard ✩✩✩

Paul, a famous football player, lands up in jail and meets the warden, Rudolph, a football fan, who asks him to put a team together consisting of prison inmates to challenge the prison guards.

I’m not a fan of Adam Sandler films but this film is funny enough, a modern retelling of the 1974 original. 

The Count of Monte Cristo ✩✩✩✩

Dantes, a sailor is falsely accused of treason by his best friend Fernand, who wants Dantes’ girlfriend Mercedes for himself. Dantes is imprisoned on the island prison of Chateau d’If for 13 years.

Swash buckling adventure of love and revenge from France in the 1800’s. A great movie!

Paranoia ✩✩

An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss’s old mentor to secure for him a multi-billion dollar advantage.

There wasn’t much paranoia happening in this rather sedate thriller. I’d give it a miss if I was you!

The Interview with a Vampire ✩✩✩✩

After the death of his wife and daughter, Spanish lord Louis is turned into a vampire by Lestat de Lioncourt. To keep Louis by his side, Lestat converts a plague-ridden girl.

I enjoyed this film much more than David did. An epic sweep through the centuries with vampires, what’s not to like?

Limitless ✩✩✩✩

With the help of a mysterious pill that enables the user to access 100% of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.

David and I both liked this thriller, full of action with sci-fi elements. Would you take a pill that made you super-human?

Titanic ✩✩✩✩✩

Seventeen-year-old Rose hails from an aristocratic family and is set to be married. When she boards the Titanic, she meets Jack Dawson, an artist, and falls in love with him.

I’ve warmed to this film over the years. I love the message that one person can save another person’s life. Awesome cinematography, with a fantastic soundtrack to boot. 

Frailty ✩✩✩

A mysterious man arrives at the offices of an FBI agent and recounts his childhood: how his religious fanatic father received visions telling him to destroy people who were in fact “demons.”

This was a rather uncomfortable film to watch. Bill Paxton is menacing as the dad who has visions from angels and sets on a path to kill demons. A good thriller. 

Enola Holmes ✩✩

When Enola Holmes-Sherlock’s teen sister-discovers her mother missing, she sets off to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy around a mysterious young Lord.

I really, really wanted to enjoy this but sadly it was a little disappointing. Millie Bobby Brown was good as Enola but the rest of the cast fell flat for me. Watchable none the less. 

Have you seen any films recently that you have enjoyed or disliked? Any recommendations?

Thanks for reading!

Christine x

Planning Ahead -2019

A new year and a fresh clean calendar to fill up with events, days out and holidays. I am really excited for what 2019 brings! Below are just some of the theatre visits already booked.

  • Mahler’s 5th Symphony at the Royal Liverpool Philharmonic
  • Shakespeare’s Macbeth at the Epstein Theatre
  • Les Misérables at the Liverpool Empire. David wasn’t enamoured with coming along with me, but the last time I saw the show was some 20 years ago, back when I felt sad and lonely. I vowed that if Les Misérables came back to Liverpool again I would take David. Poor David!

Also in 2019, I will continue to participate in initiatives such as:

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At the time of writing I’ve leaned that 2019 is the Year of Environment for Liverpool. I look forward to the numerous events taking place across the city.

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This year, (thanks to Sharon at sunshineandcelandines for the suggestion), I’ve decided to have a go at participating in Postcrossing, a website which connects people via postcards.

2019 is also my fourth year of wild swimming. I am already planning on swim/walks to places on my bucket-list, such as Llyn Idwal in Snowdonia and Coniston, the Lake District.

It’s looking like 2019 is going to be a busy year! What events/holidays are you looking forward to in 2019?

Thanks for reading,

Christine x

Gustav Mahler’s ‘Resurrection’ Symphony!

I’m not an expert in classical music. I don’t know much terminology nor can I decipher notation. I listen just because it makes me feel. Some pieces make me feel serene: Allegri’s Miserere, some make me want to dance, Arturo Márquez’s Danzón No. 2, and others just simply take me to a place both spiritually and emotionally that is unparalleled by any other medium! For me, Gustav Mahler’s music does that above any other composer. I may be a bit biased as Mahler was the composer who made me turn away from my ‘pop’ loving years of the 90’s to re-acquaint myself with classical music, but his symphonies especially his later ones from the 5th onwards often have me quaking with a mixture of heightened emotions!

Gustav-Mahler

Gustav Mahler

There is joy to be heard in Mahler’s work for example his 1st Symphony bristles with youthful energy. Love is to be found in his 3rd Symphony, not only human love but of nature too. His 9th Symphony is filled with heavy pathos and heartfelt resignation but it is not done in a depressive way, it’s more of an enlightened way, which enables deep soul searching. And then there is the fear and tragedy that punctuates his 6th Symphony and resonates so powerfully in his 2nd!

It is Mahler’s 2nd Symphony, entitled the Resurrection, that I now turn my attention to.

The Royal Liverpool Philharmonic Orchestra performed the Resurrection twice this April, on Wednesday 29th and again on Thursday 30th. I booked tickets for the Wednesday performance. It was almost a full house! We were in the ‘cheap seats’ up in the gallery but we had a perfect view of the brightly illuminated orchestra.

Mahler's 2nd at Liverpool Philharmonic Hall

Mahler’s 2nd at Liverpool Philharmonic Hall

I read the programme notes before the concert and Stephen Johnson mentioned that in the early performances of Mahler’s first three symphonies, Mahler gave detailed accounts of each movement and what ’emotions they aroused.’ However he was not entirely satisfied with having to tell the audience what to feel, what he meant by his music. Mahler said, ‘In my conception of the work I was in no way concerned with the detailed setting forth of an event, but much rather of  a feeling.’ This remark resonated with me and on the night of the concert the feelings became manifest sending goose flesh and shivers all over my body. In fact the performance of the Liverpool Philharmonic conducted by Sir Andrew Davis reverberated deep within my body and I felt the effects long after I had left the hall and stood shivering outside awaiting my bus! Even David who is not a Mahler fan said he felt ‘shivers’.

Sir Andrew Davis is not a conductor I have seen perform before. I know of his reputation but have not seen him conduct live. He is a conductor of much energy, jumping and jigging on the podium with his long tail coat flapping. He did not carry a baton but commanded the orchestra with the shape of his expressive hands. You could see that he really had fun with the orchestra. His years of experience showed. I was surprised to read that Davis was 71 years old he really moved about with the energy of a younger man, I couldn’t keep my eyes off him!

Sir Andrew Davis

Sir Andrew Davis

The sound from the orchestra was breathtaking. In the 2nd Symphony there are moments of light hearted fun (the Ländler) and solemn solemnity as found in the Urlicht performed by the Mezzo Soprano Catherine Wyn-Rogers. I could find no fault in her performance, nor that of the choir, however Catherine Jones of the Liverpool Echo said the ‘German text wasn’t as crisp as it could have been.’ The brass for me still played a bit ropey at times (though they got the loudest cheer come applause) and some passages sounded a bit muted in the hall. In her review, Catherine Jones said ‘even the controversial new acoustic, which tends to over-amplify the brass, acted in the work’s favour by adding depth rather than overpowering the whole.’

Alfred Hickling reporting for the Guardian remarked at the ‘frenzied’ attack Davis gave Mahler’s second. I found that the pace was ideal, though brisk it sounded better than some languishing performances of the symphony. Hickling commented mainly on Davis’s appointment as Conductor Emeritus. On the night he was presented with the award and made a speech saying he was ‘deeply touched and honoured’ by the gift and relished ‘the prospect of making music regularly,’ in Liverpool, a ‘wonderfully vibrant city, of which the Orchestra is the finest jewel.’ I’d have to agree. While Davis was making this speech and the orchestra and chorus performed Mendelssohn’s Lauda Sion Op.7I felt overwhelming pride and respect for the Liverpool Philharmonic, and with this being their 175th year anniversary there is much to celebrate!

My most favourite part of the Resurrection Symphony (apart from Urlicht) is about 10 minutes into the finale. It is the orchestral version of the hymn like chorale that will finish the symphony. When I listen to this part that steadily builds up into a triumphant crash of percussion interlaced with strings and trumpeting brass I always imagine the golden rays of a rising sun stretching its light over a slumbering countryside. Sheep rear their heads from a night of rest and a horse drawn carriage trundles along a narrow country lane. Under Davis’s command the Liverpool Philharmonic played this passage to awe-inspiring heights, some would call it apotheosis, (no recordings I’ve heard come close to it!) The sound filled the entire auditorium! My heart swelled with emotion and I have never heard the orchestra sound so loud, so passionate, so emotional, I indeed had a tear in my eye!

The only jip I had was with the audience, of hissing coke bottles being opened, mobile phones tinkling and the guy behind me humming along to the choir! But none could detract from the performance which culminated in the most rousing finale I’d ever heard!

What would Mahler have thought? If he had heard the mobile phone he would have undoubtedly stopped the performance, like he did when someone had a coughing fit at one of his performances.

Though undoubtedly what Mahler would have thought is of little consequence. Personally, I came away from the hall feeling satisfied. A young couple in front of us talked about how religious the symphony was. I have a feeling Mahler’s Resurrection is more emotional than religious, whether it is a ‘spiritual religious’ or a ‘spiritual emotional’ is another discussion. What is for certain is that there is no ‘judgement’ in Mahler’s 2nd Symphony. Stephen Johnson in his programme notes says that, ‘the 2nd Symphony marks a huge progression from darkness and death through to light and affirmation of life and love.’ There ‘is no judgement…There is no punishment… an overwhelming love illuminates our being. We know and are.’ It can only be a good thing to be all knowing at the end of it all. The end of all things.

© Christine Lucas 2015.