I did a similar post looking forward to the new year of 2017, so I thought I would follow the trend and do a 2018 one too! There’s so much I have already booked for the new year! If all goes to plan 2018 is measuring up to be one wonderful year!! Here’s what’s to come in the year ahead.
Of the many events already filling up the new calendar are two concerts to see the Liverpool Philharmonic in action.
Liverpool Philharmonic Orchestra
Recently whilst in town, I walked past a billboard advertising the return of a short run of Khaled Hossieni’s The Kite Runner at the Liverpool Playhouse. After reading the book and missing the first run of this acclaimed play, I just had to book tickets this time around.
The Kite Runner
Terracotta Army – World Museum Liverpool
Another much anticipated event happening in Liverpool in 2018 is the ticketed China’s First Emperor exhibition. Highlighting artifacts from the emperor’s spectacular tomb.
Street Art:
2018 is measuring up to be a fantastic year for street art trails. Here are just some of the Wild in Art trails I hope to visit.
GoGo Hares
Hoodwinked
Bee in the City
We have visited the lovely city of Norwich in the past, to see their gorillas and dragon trails. From the 24th June to the 8th September 2018, the city’s streets will be graced by colorful hares in their, GoGo Hares trail.
Nottingham have an imaginative trail called Hoodwinked, this year. The sculptures in the shape of robins are an inspiring take on the Robin Hood name! I can’t wait to see them!
Also, Manchester has a swarm of bees hitting the streets this summer in Bee in the City.
These are just a few Wild in Art trails happening in 2018. Will you be going see any of them?
And continuing:
#walk1000miles
30 Day Wild
Sunday Sevens
A Year in Books
This year I will carry on with initiatives such as:
There will be forthcoming displays of Wave and Weeping Window by Paul Cummins and Tom Piper in the NW Region. The Weeping Window will be at Stoke on Trent’s Middleport Pottery in August/September and the Wave will be at Manchester’s Imperial War Museum September/November.
Follow this link for more destinations in 2018. Will you be visiting any of them?
As yet there are no holidays planned, but I do have some ideas. I just need to book time off work and to plan them!
What events/holidays are you looking forward to in 2018?
I find it hard to write reviews as everyone’s experience is individual. However, I just wanted to share with you all what I thought of The National Theatre’s production of the 10th Anniversary UK tour of War Horse.
I booked our tickets some two years ago after reading the book by Michael Morpurgo and watching the acclaimed Steven Spielberg film. I found the book largely more emotive than the film. Though come the day of the stage production I had somehow forgotten the plot of both book and film! I recalled battles of World War One and the part horses took in the human struggle.
Our visit to the Liverpool Empire Theatre, was not without hiccup. I thought a good 40 minutes would be enough to get us through the busy streets of Liverpool and to parking at St. John’s shopping centre. Unfortunately I had not accounted for the popularity of the Christmas market and Saturday afternoon shoppers! By 2.15pm we were stuck in traffic by Lime Street Station. The matinee performance started at 2.30pm! I began to slowly panic!
‘If there’s no parking spaces here, we’ll have to go to Liverpool One.’
‘But that’s miles away!’ I said. ‘We’ll be late.’
‘You go ahead then. I’ll catch up with you once I’ve parked the car!’
‘But you’ll miss the beginning of the show!’
‘You’ve waited two years for this,’ David reasoned. ‘It’s better if you go; at least one of us will see the start. They may not let us in until the interval if we are both late!’ I sat with a heavy heart, as rain showered down upon the window screen.
‘You don’t mind?’ I asked. ‘I’d rather both of us see the show.’
‘You go ahead.’ David was rational but my heart lingered until I handed him his ticket and kissed him good luck. The cold wind buffeted me as I stumbled through a thickening crowd. My feet splashed through puddles. I noticed the traffic in Lime Street was at a stand still, car horns blaring (as if that would help!) The stench of roasted meat from the Christmas market on St Georges Plateau was heavy on the air and made me balk. As the clock ticked I worried for David. In my rush I turned an ankle, and cried out into the cold, grey afternoon. I made my hurried way towards the theatre where I showed my ticket and then in bewilderment looked for my seat.
The Empire Theatre is a bit of a maze, with automatic doors and signs that are not very helpful. I thankfully managed to find my seat before the show started and sat hoping David would be following soon after. The lights dimmed and a young horse puppet (Joey) pranced around the stage. I couldn’t settle. Every-time I saw someone enter the shaded theatre I thought maybe it was David. However some 15 minutes into the show, after the auction scene, I saw David walk past. We laughed afterwards that he could have entered the auditorium shouting ‘Christine, where are you?’ but in reality I wondered how to catch his attention while he found a seat at the front. We sat the first half of the show separately.
For War Horse itself, the show was amazing. I thought it much better than the Lion King a few years ago. Perhaps having no assumptions of the show helped? The puppetry was superb, the story emotive and the stage production highly visual. The acting from the company was top notch and though there were no tears there was a lump in my throat at the end.
What makes War Horse a successful stage production is the multi disciplinary team behind it. From stage design to lighting effects. The score by Adrian Sutton though subtle was effective to promote emotion. John Tams’ folk songs bring the essence of rural Devon to life, (though I wasn’t too enamored with the songs within the play.) I loved the artwork by Rae Smith evoking powerful symbols of World War One. The lighting by Paule Constable was breathtaking! A scene that stood out for me was when when Albert and co. ran in slow motion towards the enemy. From the mist they emerged to run into the bullets and the shells. When the men fell one by one, it was painful to watch. It felt realistic.
Talking about realism the puppetry by Handspring Puppet Company was outstanding. You connect instantly with Joey. Albert’s reaction to Joey is a reflection of our own. There are other puppets within the show, from swallows flying in the peaceful Devonshire sky to a cheeky goose who received a lot of laughter for his aggressive antics. But the horses is what many have come to see. The scenes of war are the most vivid and stay with you long after the show. I cried in dismay when Joey was caught among the barbed wire in No-Mans-Land. You forget that they are just puppets.
The play has the human condition at the very core. From the dogged determination of Albert, to the sadness that drives Arthur Narracott and the despair of Friedrich Müller. Joey and Topthorn suffer in a man made situation.
If you have the opportunity to go see War Horse, then I would highly recommend it. As a spectacle it is a feast for the eyes! Don’t forget to take your handkerchief!
Have you seen the show? Read the book or seen the film? What were your impressions?
Thanks for reading,
Christine x
*Pictures taken from various productions of War Horse.
I first realised the music of Hans Zimmer in The Lion King (1994), the soundtrack earned him his Oscar! I didn’t care much for the songs of Elton John but the orchestrated pieces were breathtaking. He managed to convey all the emotions in the film; love, terror, heartbreak and joy. Listening to Stampede, if you close your eyes you can imagine the buffaloes bearing down on Simba.
Over the years, I have accumulated many of his soundtracks. Fan based videos on YouTube are a great source to go to, as well as Wikipedia and Amazon. I could list all of his soundtracks, but I won’t. You can read more here.
Biography search results suggest that during his early career, as well as writing themes for BBC TV shows, (Going for Gold being one of them), he produced and featured briefly in the video of The Buggles’s number one hit single, Video Killed the Radio Star (1979) which was a theme from my early childhood. So even though I was not aware of Hans Zimmer as a composer, his music contributed to the soundtrack of my 80’s.
In 2001 he received great acclaim for his soundtrack to Gladiator. I was a little slow on the uptake but since then most of my free time has been filled with the music of Hans Zimmer. For me, he seems to be the go to composer whether you want to be energised as in the rollicking tracks of Inception or to have a good cry, the music from The Dark Knight Rises seems to hit a particular cord with me.
No other living composers music has had such a profound effect on me as does Hans Zimmer’s. So imagine my excitement when his Live on Tourwas advertised last year! For many years, it has been a dream of mine to see the music of Hans Zimmer being performed by a live orchestra, but for the man himself to be performing on stage also is something I never comprehended.
In London two years ago Hans Zimmer did ‘trial’ arena shows because he didn’t believe ‘anybody would actually show up’. I was tempted to go but the cost, not just of the tickets but of travelling and accommodation put me off. So last year on the day tickets were released I eagerly snapped up a couple for the Birmingham date. It may have cost a small fortune but to have a dream come true, it was worth it! A month later I was reeling as they released a new date in Manchester, but that is by the by. Birmingham it would be!
April 12th 2016: Being my nosy, inquisitive self I already knew what to expect come the day of the concert. I was looking forward to One Day from Pirates of the Caribbean and The Dark Knight medley.
The Barclaycard Arena was relatively easy to get to by car but due to certain roads being closed in major roadworks we left with plenty of time. Inside we were subjected to bags being searched and the boys being frisked! Once finally past security, I bought my programme which was £10, in London it had been £15! Then went in search for our uncomfy seats.
We sat in eager suspense for 40 minutes, then the lights in the arena dimmed and an excited hush murmured from the crowd. Hans Zimmer, his guests and a 70 piece orchestra took to the stage just after 8pm, even though there were still a lot of empty spaces in the audience. People were still being shown to their seats while the choir sang 160BPM from Angels and Demons, which irked me somewhat. I took some pictures but they weren’t very good. I wish I had taken my camcorder but didn’t know whether photography was allowed.
What I like about Hans Zimmer is that he collaborates with (and mentors) people from diverse musical backgrounds and this concert was no different. It felt more like an ensemble production rather than a one man show.
The first set went too fast! I almost blinked and missed it! It was wonderful to hear so many favourite themes. We were entertained by Gladiator, Czarina Russell sung it so beautifully. The Lion King performed by Lebo M made everyone teary and Tina Guo flicked her hair as much as she did the bow across her cello for the Pirates of the Caribbean medley. The sound was impeccable, not ear tingling as in some concerts, and the lighting was inventful, in the second half of the show it became more akin to a rock concert!
There was a 20 minute interval. We went to stretch our legs before the darker second set began, which was filled with superheroes, inhuman guitar riffs and drums that reverberated through your body.
Even though at times there was a lot of bombast, the quieter moments where Hans Zimmer talked anecdotally about his career were more intimate, even in a big arena space.
The Dark Knight medley did not disappoint. I sat through it tapping my feet and grinning, much like the Joker. I felt bereft when Interstellar pipped up. I knew that the show was drawing to a close. As the final triumphant bars of Stay vibrated around the arena, Hans Zimmer stood conducting from the front. The note faded and he took a bow as everyone in the audience stood to their feet. Some of us stayed standing knowing that he would come back onto the stage for an encore. I was surprised that quite a few people left before he came back to perform the medley from Inception. ‘Fools,’ I thought as Mombasa lit up the stage like a rave. The night ended with Time. If there was a piece of music that was written to describe the human condition, then Time would be it! Heart-achingly painful and yet so brief. The night ended on the wave of Hans Zimmer’s hand and the audience standing to its feet once again.
There are moments in life when I wish I could push the rewind button and relive the experience again and again. This concert was exactly like that, if I had a fairy godmother I would suggest Manchester! :p However I will just have to make do with watching the videos I took and others like them on YouTube. I hope you enjoy the concert compilation I have mixed below and any feedback is appreciated.
In the future, I look forward to Hans Zimmer’s next installment for the Ron Howard film, Dan Brown’s Inferno. I wonder if it will be just as good as his Da Vinci Code soundtrack?
I will end the post with Hans Zimmer’s own words taken from the concert programme. I found them very profound.
‘Concerts are in real time…I get to be…part of you; and you be a part of me. Only in this very moment does this exist. We’re lucky, in these tumultuous and violent times, to have art and music to lean upon and unite us. At this very moment it is at its most essential. It breaks through the boundaries…and just allows us to be people united in common enjoyment and pleasure for a few precious hours. My hope is that tonight my music speaks to you personally, wherever you are in your unique story.’
This weekend we made use of the competition prize I had won during the Royal Liverpool Philharmonic‘s most recent prize draw on Facebook. So David and I wrapped up warmly and made our way to the Suitcase Monument in Hope Street to embark on the Shiverpool Ghost Bus.
Shiverpool bus tour
It was a clear, yet windy night, perfect for haunting stories and ghostly apparitions.
When we got to the monument there were already lots of people waiting for the bus which arrived a little late, (typical of the buses in Liverpool!) :p However it was nice to listen to the harmonious bells of both cathedrals, at opposite ends of Hope Street ringing into the dark evening as we stood waiting.
In hindsight perhaps I should have booked a tour on a weekday as town on Saturday became busy with revellers and the roads chocked with traffic.
When the bus finally arrived it was a red double decker and looked impressive.
Shiverpool Ghost Bus
Our tour guides for the evening were a duo of ‘brother and ‘sister,’ both lightly joked with the passengers who were all asked to go upstairs on the bus. This was by no mean feat with heels and an ankle length dress which I wore. The staircase was narrow and the steps uneven and in darkness was a bit of a safety hazard! The deck below was commandeered for a hen party from Ireland who held the tour up by 10 minutes!
While the bus waited for the late comers, the tour guides bantered with the passengers, asking where everyone lived. David and I had been the last to go upstairs and ended up seated at the back! We were, on more than one occasion singled out as a couple on a date. Apparently ‘I had made an effort’ on my toilette. Why thank you! 🙂
David and I have been on many ghost tours while holidaying in Edinburgh so the Shiverpool Ghost Bus had a lot to live up to!
The tour took us around the beautiful Georgian Quarter of Liverpool, visiting Rodney and Huskisson Street. The guides spoke of George Huskisson who was the first person to be killed by a steam engine at the Edge Hill trials and unknown to me Huskisson Street was also the home of Florence Maybrick who was charged with the death of James Maybrick, A.K.A. of Jack the Ripper fame.
The 90 minutes or so of the tour flew by and unfortunately the stories the guides narrated were rattled out at such a lightening speed that come to recap the experience, I am finding it hard to recall some of the tales. One such story, as we pulled alongside the leafy Falkner Square was about child murders and witches.
The tour was punctuated by the appearance of ‘ghosts’ who seemingly had come to life as the stories were recounted. The first appeared while we were parked outside St Bride’s Church, off Catherine Street. It was of a young bride to be, who was buried alive in the grave yard. The actor was dressed in white with a veil covering her face. She silently walked around the bus before being scared away by the tour guides. The creepy part of these ‘apparitions’ was looking out of the back window to see them just standing on the pavement silently watching as the bus drove off!
There was however a downside to having other actors joining us along the journey. This was, that while they were terrorising the passengers, as in the case of an angry drunkard tearing through the bus, you didn’t get to hear the story. So I missed a lot of the narrative due to this.
One good thing that came from the tour was a greater appreciation of the city and it’s architecture. Liverpool is indeed beautiful! The bus drove past the Anglican Cathedral, the biggest in the UK, and took us along the waterfront to see the Albert Dock and the Three Graces all lit up!
At one point in the tour we had to get off the bus. We all stood huddled together outside the iconic Royal Liver Building whose clock face is bigger than the Elizabeth Tower clock, ‘Big Ben‘. Here, outside the old insurance building, the guides told us a tale of poison and fraud. The silliest part of the night was when one of the guides got a gentleman to re-enact the symptoms of arsenic poisoning! Chronic diarrhoea and all!!
However let’s not forget that the tour tickets were free and it was something different to do from the usual humdrum routine of a Saturday night. It’s just sad that the stories were really not that engaging, nor scary enough! We have been on better ghost tours!
I first realised the music of 
Christine Lucas 